Mostrando ítems 1-7 de 7
Coleman, Graham Keith (Fecha de defensa: 2016-02-05)
Sampling, as a musical or synthesis technique, is a way to reuse recorded musical expressions. In this dissertation, several ways to expand sampling synthesis are explored, especially mosaicing synthesis, ...
Şentürk, Sertan (Fecha de defensa: 2017-02-22)
This thesis addresses several shortcomings on the current state of the art methodologies in music information retrieval (MIR). In particular, it proposes several computational approaches to automatically ...
Özaslan, Tan Hakan (Fecha de defensa: 2013-11-29)
L’estudi de l’expressivitat musical és un camp molt actiu en la computació musical. El seu interès ve donat per diverses motivacions: entendre i modelitzar l’expressivitat musical; identificar els ...
Dzhambazov, Georgi (Fecha de defensa: 2017-06-28)
This thesis proposes specific signal processing and machine learning methodologies for automatically aligning the lyrics of a song to its corresponding audio recording. The research carried out falls ...
Oramas Martín, Sergio (Fecha de defensa: 2017-11-29)
In this thesis, we address the problems of classifying and recommending music present in large collections. We focus on the semantic enrichment of descriptions associated to musical items (e.g., artists ...
Favory, Xavier (Fecha de defensa: 2021-03-04)
Capturing sounds on a recording medium to enable their preservation and reproduction started to be possible during the industrial revolution of the 19th century, originally achieved through mechanic and ...
Srinivasamurthy, Ajay (Fecha de defensa: 2016-11-17)
Las colecciones de música son cada vez mayores y más variadas, haciendo necesarias nuevas fórmulas para su organización automática. El análisis automático del ritmo tiene como fin la extracción de ...