Cuerpos, Horcas y Látigos. Esclavitud y espectáculo punitivo en el Brasil decimonónico

dc.contributor
Universitat Autònoma de Barcelona. Departament d'Antropologia Social i de Prehistòria
dc.contributor.author
Souza Filho, Benedito
dc.date.accessioned
2011-04-12T14:49:47Z
dc.date.available
2005-01-26
dc.date.issued
2004-07-07
dc.date.submitted
2005-01-26
dc.identifier.isbn
846887762X
dc.identifier.uri
http://www.tdx.cat/TDX-0126105-162502
dc.identifier.uri
http://hdl.handle.net/10803/5505
dc.description.abstract
The process of colonization and the economic development that followed the arrival of the Portuguese colonizers were assured by means of imposing the use of native labour force and more than four million of Africans introduced in Brazil as slaves. In order to maintain that human contingent under control and to safeguard the economic interests, corporal punishments, tortures and the execution of slaves were used throughout more than three centuries of slavery as mechanisms that assured the exploitation cycle that it had to them captured. <br/>In this work I recover the link between violence and slavery, focusing on the analysis of the punitive mechanisms, aiming to observe how the power of the slavers was consolidated by its means to become effective the control and submission of the slaves.<br/>The central issue of this thesis is this problem. It consider the relation between power and body not understood simply and exclusively as a violent action on slaves, but as a link that reveals a system of relations with political, economic and racial basis.<br/>In this study is emphasised the role of repressive mechanisms and punitive modalities, seeing them as a punitive spectacle that by means of the staging of the application of physical punishments and public executions it tried to assure the submission of the slaves and the continuity of their exploitation. <br/>In order to assure the effectiveness the control, the different violence modalities did not have to be randomly or disordered applied. In order to guarantee it, the ritual of the punishment was fundamental since it was not only a brutality discipline device, but also of the theatricalization of the power, by means of the punitive spectacle aimed to assure its effectiveness and reproduction.
cat
dc.format.mimetype
application/pdf
dc.language.iso
spa
dc.publisher
Universitat Autònoma de Barcelona
dc.rights.license
ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs.
dc.source
TDX (Tesis Doctorals en Xarxa)
dc.subject
Esclavos
dc.subject
Espectáculo punitivo
dc.subject
Esclavitud
dc.subject.other
Ciències Humanes
dc.title
Cuerpos, Horcas y Látigos. Esclavitud y espectáculo punitivo en el Brasil decimonónico
dc.type
info:eu-repo/semantics/doctoralThesis
dc.type
info:eu-repo/semantics/publishedVersion
dc.subject.udc
32
cat
dc.contributor.authoremail
beso45@hotmail.com
dc.contributor.director
Stolcke, Verena
dc.rights.accessLevel
info:eu-repo/semantics/openAccess
cat
dc.identifier.dl
B-37686-2004


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