Acciones corporales inámicas. Metodología del movimiento físico para intérpretes escénicos inspirada en el principio de alteración del equilibrio

Abstract

The PHD research: "Corporeal Dynamics Actions CDA, physical methodology movement for performers based on the Principle of Alteration Balance" is present as the result of a theoretical research focused on the study of the presence of balance in the work of modern stage performer, from the perspective of six teachers who renewed the art of the actor, mime and dancer in the twentieth century. The beginning of research goes back to 2010 with the inscription of the thesis project attached in the Doctoral Program of Catalan Literature And Theatre Studies at The Autónoma Barcelona University . Theoretical studies were developed in parallel between the Autónoma Barcelona University and the Theatre Institute of Barcelona, academic centers that allows the foundation for developing a practical application of research into the Bachelor of Performing Arts with Emphasis in Theatre inside the Caldas University in Manizales, Colombia. Through experimental work with a large group of students was possible to establish a link between theoretical findings and verification in practice of body movement that gradually were articulated to give as a result the methodology of Corporeal Dynamics Actions CDA. The CDA are an experimenting medium with the dynamic balance that seeks the greatest possible expansion of the body in time and space during the execution of a scenic corporeal action. The CDA are premised on the integration of a number of common elements to the performing traditions examined which mainly reveal through body awareness activation, weight transfer, flow movement, imbalance movement, pedagogical games and organics acrobatics. A Corporeal Dynamics Actions CDA, is a conscious stage movement that integrates body, mind and spirit of the actor in a constant flow of creative energy through the domain of dynamic equilibrium.